Kategori: Sten Bernhardsson

Sten Bernhardsson Abstract France’s ambition for the Exposition Internationale des Arts Décoratifs et Industriels modernes (hereafter referred to as the 1925 Paris Exhibition), was to present and champion modern design and the decorative arts, while reaffirming the nation’s position as Europe’s arbiter of taste. In Sweden, preparations for the exhibition were both extensive and meticulous.…